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This piece of beautiful architecture is a five legged lamassu with lion's feet. A lamassu is an Assyrian protective deity, often depicted as having a human's head, a body of an ox or a lion, and bird's wings. In some writings, it is portrayed to represent a female deity. A less frequently used name is shedu which refers to the male counterpart of a lamassu. The Lammasu or Lumasi represent the zodiacs, parent-stars or constellations. Large lamassu figures up to nearly 5 metres high are spectacular showpieces in Assyrian sculpture, where they are the largest figures known to have been made. In art, lamassu were depicted as hybrids, either winged bulls or lions with the head of a human male. The motif of a winged animal with a human head is common to the Near East, first recorded in Ebla around 3000 BCE. The first distinct lamassu motif appeared in Assyria during the reign of Tiglath-Pileser II as a symbol of power. Assyrian sculpture typically placed prominent pairs of lamassu at entrances in palaces, facing the street and also internal courtyards. They were "double-aspect" figures on corners, in high relief. From the front they appear to stand, and from the side, walk, and in earlier versions have five legs, as is apparent when viewed obliquely. Lamassu do not generally appear as large figures in the low-relief schemes running round palace rooms, where winged genie figures are common, but they sometimes appear within narrative reliefs, apparently protecting the Assyrians. The colossal entrance way figures were often followed by a hero grasping a wriggling lion, also colossal and in high relief. In the palace of Sargon II at Khorsabad, a group of at least seven lamassu and two such heros with lions surrounded the entrance to the "throne room", "a concentration of figures which produced an overwhelming impression of power.2 They also appear on cylinder seals. Notable examples include those at the Gate of All Nations at Persepolis in Iran, the British Museum in London, the Musée du Louvre in Paris, the National Museum of Iraq in Baghdad, the Metropolitan Museum of Art in New York and the Oriental Institute, Chicago. Several examples left in situ in northern Iraq have been destroyed in the 2010's by ISIS when they occupied the area. The Lammasu or Lumasi represent the zodiacs, parent-stars, or constellations. They are depicted as protective deities because they encompass all life within them. In the Sumerian Epic of Gilgamesh they are depicted as physical deities as well, which is where the Lammasu iconography originates, these deities could be microcosms of their microcosmic zodiac, parent-star, or constellation. Although "lamassu" had a different iconography and portrayal in Sumerian culture, the terms lamassu, alad, and shedu evolved throughout the Assyro-Akkadian culture from the Sumerian culture to denote the Assyrian-winged-man-bull symbol and statues during the Neo-Assyrian empire. Female lamassus were called "apsasû". The lamassu is a celestial being from ancient Mesopotamian religion bearing a human head, bull's body, sometimes with the horns and the ears of a bull, and wings. It appears frequently in Mesopotamian art. The lamassu and shedu were household protective spirits of the common Babylonian people, becoming associated later as royal protectors, were placed as sentinels at the entrances. The Akkadians associated the god Papsukkal with lamassu and the god Išum with shedu. To protect houses, the lamassu were engraved in clay tablets, which were then buried under the door's threshold. They were often placed as a pair at the entrance of palaces. At the entrance of cities, they were sculpted in colossal size, and placed as a pair, one at each side of the door of the city, that generally had doors in the surrounding wall, each one looking towards one of the cardinal points.

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